Feeds:
Posts
Comments

Posts Tagged ‘Recaps’

Quentin Tarantino, all-round pop culture geek, is this week’s mentor. I know some people have issues with this development, but I don’t. QT was a guest judge in season three ( he was a Fantasia fan), and every single one of his critiques were more spot on than any of the judges. In retrospect, he’s even more sane now while the judges are even more ridiculous.

Simon apologizes for last weeks overrun, which pissed of Fringe fans extremely ( I don’t blame them- it’s a good show, even if I don’t watch it often). Simon, ever the class act, blames the girls.

Allison tackles the legendary ” I Don’t Want To Miss A Thing”, and Quentin points out her performance flaws. DC did this memorably last season, so I’m nervous for her ( it has a gigantic chorus). But she sounds so fantastic in the verse I immediately relax. She runs into pronunciation issues in the chorus, and there are a couple of bum notes in the bridge, but super solid. I hope cursed at first doesn’t apply this week. Simon finally tosses my girl some love. Yay!

Anoop to do ” Everything I Do ( I Do It For You)” and Adam to do ” Born To Be Wild”, I gather from Ryan’s throw away.

Quentin recs to Anoop to rough it up a bit, which I whole heartedly agree with ( the song is pap, let’s face it). He sounds really good, a few bum notes, but surprisingly strong vocally. He messes up the melody just enough to make it more interesting. He really is a great balladeer. The girls screamed through out. That’s what it’s about.

Adam takes on the huge classic ” Born To Be Wild”, which has always been popular on Canadian Idol ( Steppenwolf being a Canuck band and all).  I don’t like this vocal as much as ” Mad World” last week, and the arrangement seemed messy to me. The boy can sing, we have established that, but I strongly dislike it when he doesn’t control his vocals and goes all over the place. He doesn’t service the song that way, he distracts from it. This song is legendary and doesn’t need the embellishment.

Matt’s doing ” Have You Ever Really Loved A Woman”. I hate that song. Matty, you are making it really tough for me to keep championing you. QT’s advice to enunciate is valid. Matt drops sounds when he sings, and gets a bit mushy mouthed. I still hate the song. But he did it just fine for what it is.But  the bridge fell apart, and was all over the place. Man, that bites.

RyRy didn’t give me a Danny clue. DWP is a mystery… I kinda want him to do something ridiculous, like ” The Trolley Song”, because, as we know, I HATE GOKEY. ” Endless Love”… ridiculous DWPing song, right? Gawd. I hate this song as well. I feel gross right now. Missing notes, DWP. Kill me now. Kill me now. Kill me now. Kill me now. Kill me now. Kill me now. Kill. Me. Now. Please.

I need to go bathe in Lysol. Followed by bleach.

Kris does the unimaginable- he picks something NEW and INTERESTING and INDIE!!!!!!!! He goes with  the Oscar winning love song ” Falling Slowly”. He decides against the guitar, and the vocal is imperfect, but so beautiful at the same time. I’m aching at the moment. Gorgeous. Love the chorus… stunning and emotionally perfect. Welcome back, Kris.

Randy is the biggest motherfucking moron in the history of mankind.

Is Lil singing ” The Rose”, or a different song from The Rose? The problem with ” The Rose” is that it is deceptive to sing. It’s a very simple melody, but it needs to be infused with a certain emotion or it’s a massive fail. I’ve seen good singers brought down by this song, and Lil isn’t that good a singer.

There is a difference in making a song your own, people, and destroying gorgeous melodies.  The Rose, a sad love song, is NOT a gospel song. Not even close. And I think it’s not pleasant to listen to at all. And her vocal isn’t strong enough to make me feel it helps her at all. FAIL! Not good, girl. Not good at all.

It’s still running over. They do all these modifications, and they STILL go over.

Top three: Allison, Kris, Anoop.

Bottom three- Danny, Lil, Matt.

Adam- confusing the hell of me.

Shut up, Fringe is supposed to be on!!!!!

See you tomorrow tonight for the elimination, folks.

Read Full Post »

Frankie Avalon? Really? Although he is the Teen Angel. And Allison’s hair looks as though it was done buy Frenchie. Beauty School Dropout indeed. ” Venus”, fine, whatever.

That is the worst group sing ever.  Oh. My. God. Just awful.

That was also a really bad Ford vid.

Adam, Kris, and Anoop stand up, and the judges are allowed to give their Adam critiques ( praise from all). Adam is safe.

Anoop and Kris stand there waiting, and DI had Kris at the very bottom, but he ekes it out as Anoop is in the bottom three ( to be fair to Dial Idol, Adam was the only green button, and everyone else was deemed capable of being bottom three).

If I seem a little scattered, I’m pulling a double posting duty tonight, as I am desperately trying to save Chuck from cancellation. Just so you know. Anyone want to help? Go to NBC.com and watch Chuck episodes, write to NBC, sign the petitions, and generally make a ruckus. Before we all decide to start sending pineapples. ( Chuck fans will know…)

Flo Rida comes out to “sing” ” Right Round”. This song annoys me. Loved ” Low” though.

DWP is safe. Ugh.

Matt.  Safe ( oh, thank God.)

Scott. Bottom three ( rightfully so.)

Allison and Lil.  Allison is safe, and Lil heads to the silver stools of doom.

Kellie and her little girl voice comes back to the stage and I still am not a huge fan of the girl.But her clear confusion after her song means she’s still Kellie.

Lil is safe. Mean trick on Anoop, RyRy. Fucker.

Anoop and Scott stand there, bottom two, and… Scott has the lowest number of votes. Anoop is safe ( what is up with that?)

Truthfully, it was slightly better than last night, but he still couldn’t hit that high note.

It’s a split panel, Simon tells us. They are actually discussing it. And Simon pulls his veto power out and send Scott packing. That was the right choice, he went as far as he could.

See you next week, everybody.

Read Full Post »

An Idol favorite indeed, RyRy with the buck teeth.

Danny does a version of  “Stand By Me” which is cheesy and stupid, just like DWP himself. I’m sorry, I don’t get the appeal. Why is he number one every week. Gwenny says it’s a different version of pimping the DW type of song. He wasn’t in key for half of it. And it’s terrible. Ugh. Somebody shut him up, he pisses me off so much.

The judges are apparently still do not want their jobs back, as Randy, Kara, Paula and Simon praised that shit. Please, cursed at first, be in effect.

Kris is charming in his interviews. He tackles a good song with Don Henley’s ” All She wants To Do Is Dance”. I think it’s a bit of risk, and it doesn’t quite work for me. He’s never off key during the song, but he lacks the dramatic flair Henley himself brought to the song.  It’s to dance-rock for him, frankly, he’s much more of a singer-songwriter folkie. But I like it soooo much more than DWP.  Kara’s assessment is right in it’s jazz funk exercise vein. Kris, you may be in trouble, darlin’. Simon and Randy were unnecessarily mean to the guy. Kris at least took it well.

Lil goes with Tina ( correct on artist I am!!!!), but instead of the more aggressive ” Better be Good to Me”, she goes with the overdone ” What’s Love Got to Do With It”. There are massive pitch issues through out the song, but it’s her best performance in weeks.  The judges are mean to her, and I’m feeling very protective.

A couple of weeks ago, the judges sneered at artistry ( albeit bad artistry), but now they’re complaining the singers aren’t being artistic enough. The judges are idiots and will be fired for the rest season if they continue the damn hypocrisy.

Anoop is going with ” True Colors”? Nononononono… that song is sacred to me. Cyndi Lauper’s voice is one of those singular voices that owns the songs she sings. Don’t do that to me, Anoop.

Anoop admits he’s a jackass a bit, and he’s excited about the Tarheels win last night (Booo…).  He needs to learn to enunciate better as he sings, but he actually sings it well, if some what samey.

Scott’s version of “It’s Over ” was horribly pitchy through out. And he’s on guitar!!!!!!! ( that seems odd to me). Not even liking it at all.

Allison, I adore you. She tackles ” I Can’t Make You Love Me”, which I left off my list for two reasons- it’s been overdone, and I wasn’t sure she could pull of the maturity it requires. But her vocal was awesome, soooo much better than last week. I might buy this one on I Tunes ( for the record, this is one of my all time favorite songs).

Matt is next, and I’m worrying, as he is hit or miss.  He tackles Stevie Wonder’s ” Part Time Lover” ( shortlisted but discarded).  He’s all over the place vocally, and he’s crushing my soul.  ( For the record, this is one of my least favorite songs of all time). Not good, Matty, not good.

What were the judges listening to?

Adam is next. My friend Magicalbeck and I over on the BBAC boards have had long conversations about Adam. She’s a die hard fan who appreciates the flair of the dramatic he has, while I… don’t. I don’t mind drama, but he’s prone to overdoing it at times, and as someone who worships those who could barely eke out three chords on beat up Telecasters singing  about sniffing glue, I prefer my melodrama minimal. When Adam just sings, I love every minute of it ( ” Tracks Of My Tears” was so beautiful). I even liked ” Play that Funky Music” last week, even if it was more wacky, because wacky is fine as long as he maintains control over his voice and his stylistic choices. I must say, he has been learning quickly. Magicalbeck and I come at the Idol experience with loads of musical experience of our own  ( she in voice, me in classical piano and punk rock guitars). It makes for an interesting dialog about what constitutes good music and the subjectives of taste and style.

And Adam’s glorious version of  “Mad World” ( the Gary Jules version of the Tears For Fears Classic). I didn’t think he needed to go up in his register in the second verse like that, but it was up there with Allison for best of of night, even with the vocal shake on the last note ( truthfully, it was the first time I’ve heard him miss a note for weeks). He got a standing ovation from Simon on behalf of the judges.

Adam, Anoop, and Allison were the best of the night, everyone else was mediocre. I pick Scott, Kris, and  Danny as the worst, but I suspect Danny will be just hunky dory and poor Lil may work her way into the bottom three, with Scott heading home.

See ya tomorrow.

Read Full Post »

Yeah, about that…

I missed this week’s shows. I’ve been struck with a nasty sinus infection and chest cold simultaneously.  I slept through the shows. But I can say this- I knew Madame Lambert would get through, and what I’ve seen of Allison- I approve.

Read Full Post »

I’m trying not to die of joy due to recently released spoilers about episode seven. Reid- William Reid… you have some explaining to do…

I guess it’s safe to say that any episode that features Dr. Spencer Reid gets an automatic love note from me, seeing as I adore Matthew Gray Gubler. But the truth is that the Reid focus episodes are among the strongest written of the series. From ” Somebody’s Watching” through to ” Sex Birth And Death”, ” Revelations”, ” Jones”, and ” Elephant’s Memory”, they remain among my favorites.  This one is also high up on my list. Of course, Reid episodes also have some of the strongest unsubs- and some surprisingly great performances. James Vanderbeek gave his single best performance in his life as Tobias in ” Revelations”. Luke Perry proves to be a revelation of a kind in ” Minimal Loss”. As someone who spent way too much time watching the original 90210 as a teen, I never thought much of Perry as an actor. This ( and his creepy turn on L&O SVU earlier this season) proved me wrong. Perry is quite compelling as Benjamin Cyrus. It’s easy to see him as a charismatic wing nut. He is charismatic. And quite scary in his quiet way.

Reid and Prentiss show up in Colorado to interview children with Children’s Services after a call is placed about child molestation and underage marriages. At first, Cyrus is cautiously welcoming, but when he is tipped off about a raid, the heavily armed cult he leads enter a shoot out with state police. This gets the actual child services killed, and Reid and Prentiss are de facto hostages of a cult with heavy duty weaponry and a leader with a deep messianic complex. The team freaks out when the news hits national networks, and they all head to Colorado.

Hotch decides to let Rossi lead the hostage negotiations ( and then a swoon worthy Hotch pissed off moment with the Colorado AG- awesomeness and sexy). Rossi and Hotch present the minimal loss scenario- try to save as many as possible, but they cannot save them all. The team know they not only have to profile the cult, but Prentiss and Reid as well. Rossi begins slowly as to build trust- being told that Prentiss and Reid are alright ease some anxiety momentarily. The one thing I noticed about Perry’s performance at this moment is the eerie calm he exhibits. Some actors miight be inclined to play it rougher and crazier. The thing about Cyrus is that he doesn’t ever appear crazy even when he clearly is a bushel short of a load. He is pleasant, obliging, even while being unco-operative. A tricky balance.

Trust needs to be earned, and Rossi tries his best to get the children out. But Cyrus instead decides to keep the kids as protection, and Reid and Prentiss observe the wine ceremony, the calm of Cyrus, the body language of Jessica, the girl that they were called to interview, and Jessica’s mother, and then the bomb drops. Cyrus announces that they have drank poison, but Rossi, seeing Cyrus’ calm, and Reid, seeing Cyrus’ reaction to the followers fear or anticipation, both call it as a bluff.

One small quibble- Jeff Fahey in a single scene? Indelible in that scene. Wish there had been more. As the former leader of the group, he was astonishing.

Our cult leader was born Charles McGrew, and has a record of child molestation. He was a ” model prisoner” after discovering God. Bad news- child molesters who survive general pop in prisons will never give up. And then the news breaks- there is an undercover FBI agent on the compound. Cyrus points a gun at Reid, who never breaks character, and Prentiss gives herself up. She gets beaten severely, nearly sending Rossi and Hotch over the edge, but Rossi’s rationality and Prentiss’ coded answers prevent the team from going in. Separated, Prentiss and Reid begin their specialties- Prentiss, being tended by the mother, begins to hint that she knows that the mother placed the call, and Reid uses his intellect to get into Cyrus’ good graces. Reid influences Cyrus’ decision making by playing the hostage negotiation handbook against Cyrus, and the bugs planted by the team allow them in on the plan. Rossi holds up his end of the bargain by playing along, and one child is set free. Trust is earned, after all.

Cyrus rounds up those who are not the true believers and frees them. Reid realizes that he needs to get a message out to the team to warn them of when they will go in, and tells Prentiss to wait for that signal. The team uses the food delivery to tell Reid when it happens. Prentiss uses the knowledge of bugs to get a message out to tell her when it will happen. Morgan uses a laser scope to tell her, and Reid gets Hotch’s written message on the food. Prentiss than confronts the mother and tells her that there will be a violent end and the only hope to save her daughter from Cyrus is to listen to her. The mother agrees to help after seeing the men prepping explosives, and gets the women and children out. Reid uses his eidetic memory of the bible to try and stop the insanity, but fails, and gets a couple of slams to the gut as payment for his actions. Fortunately, the team gets in and takes the men out before they can set off the explosives. But Jessica, a true believer, runs back in, and seeing Cyrus dead, she picks up the detonator. Reid and Morgan barely escape as the building explodes in a huge fireball.  After, on the plane, Prentiss makes a point of telling Reid that her beating was not his fault, that it was her choice and she did not regret it.

Overall, one of the best episodes of Criminal Minds in the history of the series. Strong performances by Gubler and Paget Brewster, and stunning ones by Perry and Fahey, make it a keeper.

Grade- A+

Read Full Post »

My world is a very complicated place, to say the least.

I am a David Cook fan. End of discussion. I think he’s one of the strongest talents to come out of the whole AI juggernaut and I’m a Kelly Clarkson girl from the get go. His pre-Idol album, Analog Heart, would have been on my top ten list of 2008 if it hadn’t been released years ago. I still might put it there if I can justify breaking my own rules. Anticipation on his upcoming major label debut is high, to say the least.

The first single, ” Light On”, was released this week. Like David Archuleta’s first single, ” Crush”, it was surprising. Archie’s didn’t suck, which shocked the hell out of me. DC’s also doesn’t suck, but that isn’t surprising. No, I was more shocked about how good it is considering he has those Idol folks trying to figure out how to get Max Martin to write a song for him.

No, Martin is no where to be found, but Chris Cornell is, and along with Brian Howes, helped write this future top of the chart single.  And the first thing I noticed about the music ( crucial- the music) is there is a vague familiarity to it. It’s very Cornell. There are surprising melodic choices, unexpected notes, half step key changes, and a gorgeous piano break with vocal after a rip roaring bridge that is hauntingly pretty before it launches into a rocking outro. Musically, you cannot deny it.

The lyrics are fine. Not as powerful as some of the lyrics on Analog Heart, but certainly not pablum. DC is still growing as a lyricist ( most rock stars write their best lyrics in their late twenties and their thirties), but he doesn’t resort to a lot of the cliches many his age use. But the lyrics in comparison of the music are weaker. But still better than say… the ridiculous lyrics to ” Don’t Call Me Baby” or Skye Sweetnam’s ” Human” which is a song I hate with a passion reserved for idiots.  And to the ladies out there about to tear my head off for admitting that I have a ( relatively) small issue with this song… please remember this- I love you all. Please, don’t hurt me. I’m being honest. The music is kick ass. The lyrics are good, but not life changing. Now, give me a ten minute head start and allow me to get on my plane to an undisclosed location.

This will be said, though- compare to the Magic Rainbow,” Light On” is freakin’ ” Stairway To Heaven” or ” A Day In The Life”. David will have a long career. Don’t fret.

Grade- B

Read Full Post »