The beginning of every new series is going to be rough. The chances of choppy waters increase when said show is ambitious and epic like Glee is. That is not to say that “Acafellas” was bad. On the contrary, it was a delight in many ways. But after the genius of the pilot and the solid second episode last week, I was slightly disappointed with this week’s Gleeful outing.
The show has the potential to collapse under its massive ensemble cast- there are at least twelve significant roles on this show. That is a lot of people to try and work in to a show, complete with individual story lines and moments to shine. And this episode ended up feeling overstuffed and under developed simultaneously.
The valid question off the top, asked by Cheerleader Quinn, was whether Will had even tried to fulfil his performing dreams. After shop teacher Henri returns from his cough syrup induced thumb amputating shop accident, a sad round of ” He’s a Jolly Good Fellow” with Will, Ken, Sheets and Things’ Howard, Henri, and Sandy ” Stay 50 Feet Away From Children” Ryerson leads will to form an a cappella group, launching into a really fun version of Montell Jordan’s 90s classic ” This Is How We Do It”. This plays into Will’s B story, where he bonds with his dad ( the fabulousity that is Victor Garber- alas, no song), who admits his failings with ease. Fathers on television are routinely maligned, often absent and mean. It’s nice to see a father-son relationship that is rather warm and friendly.
The other story of the episode, the Glee kids hiring that annoying prick Dakota Stanley, honestly didn’t go anywhere. I get that they were trying to create a bit of tension between Finn and Rachel, and allowing Quinn and her minions try to disrupt Glee quietly, but it just felt… ugh. With no Glee performances this week, the show felt kind of empty.
The one thing that did work well this episode was the “C” story between Mercedes ( Amber Riley, so fantastic on ” Bust The Windows”) and Kurt ( Chris Colfer, a TV star in the making). Mercedes instincts were right on the money, but she allowed insecuirty and fear ( and a couple of ne’er-do-well Cheerios) to get her hopes up about Kurt, who was being a supportive friend. Ryan Murphy said in an interview that he wanted Kurt’s coming out to echo his own, so the one real moment of the entire episode was Kurt tentative telling to Mercedes, followed by a tear and an acknowledgement that he really wasn’t as brave as Mercedes wanted him to be.
Overall, there were some good moments, but over all, the cluttered, scattered tone left me wanting( and too much Terri- I really dislike her). Rumor has it next week is going to be a hum dinger of an episode, focused on Colfer’s delightful Kurt. I certainly hope all the love I’m hearing is legit, and not just a bunch of TV critics trying to sell me snake oil.
” I have no thumbs!” Henri, in a game of one ups-manship
” The parents discovered we’re feeding their kids prison food”.- Figgins
” Josh Groban likes a blousy alcoholic.”- Josh Groban, cementing my belief he’s a singing comedian.
” Is cliche a bad thing?”- Finn
” I’m going to ask you to smell your armpits.”- Sue to the Cheerios
” If you blow this for me I’ll shove my arm so far down your throat you will be able to taste my arm pit hair.”- Ken to Puck.
” I told Figgins we’d end up with a bunch of pansies if we didn’t get some hot wood in their hands.”- Sandy